Opera Garden Tea Party

Before the Concert: 11:30 am until 1:15 pm

Join us for a light lunch of treats, teas, and whimsical wonders including tea sandwiches, salad, cake, cookies and tarts made from local ingredients including flowers from Chef Nikki’s garden. Sure to suit every taste. Hibiscus and elderflower cordial anyone?

Nikki Fotheringham lives in the woods in central Ontario. She grows flowers in the meadow, turning them into beautiful edible products.

TICKET PRICE

$25.00 (+ HST)

Concert ticket to Gerald Finley is sold separately. Limited seating. Reservations are required 48 hours in advance

ABOUT GERALD FINLEY

Grammy Award-winning Canadian bass-baritone Gerald Finley is one of the most revered and influential artists of our time, with celebrated performances at the world’s major opera and concert venues and recordings on CD and DVD with major labels in a wide variety of repertoire. His extensive career is devoted to the complete spectrum of vocal art, encompassing operatic, orchestral and song repertoire, collaborating with the greatest composers, orchestras and conductors. His career initially focussed on the music of Mozart; his Don Giovanni and Count Le Nozze di Figaro have been heard live and broadcast throughout the world. His expanding repertoire soon encompassed major Wagner and Verdi repertoire as well roles including Bluebeard, Guillaume Tell, J. Robert Oppenheimer in John Adams’ Dr. Atomic, and Jaufré Rudel in Saariaho’s L’amour de loin. He created Harry Heegan in Mark Anthony Turnage’s The Silver Tassie. The 2023/24 season highlights include Hans Sachs in Laurent Pelly’s new production of Die Meistersinger von Nürnberg in Madrid; the European premiere of Adams’ Antony and Cleopatra at the Liceu in Barcelona; and returns to Bayerische Staatsoper as Amfortas and the Royal Opera House as Don Alfonso. In concert, he performs Brahms Ein Deutsches Requiem with the Accademia Nazionale di Santa Cecilia; Mendelssohn Elijah with London Symphony Orchestra and Sir Antonio Pappano and Bluebeard Bluebeard’s Castle at the Elbphilharmonie Hamburg, the Oslo Philharmonic and San Francisco Symphony; as well as a gala concert with Aalborg Symphony Orchestra and a recital tour with Julius Drake in London, Strasbourg, Vienna, Madrid, Luxembourg and Valencia.

Further critical successes have been Hans Sachs at the Glyndebourne Festival and l’Opéra de Paris; Amfortas Parsifal at Royal Opera Covent Garden, in Baden-Baden with the Berliner Philharmoniker and Sir Simon Rattle and the Bavarian State Opera; Wolfram at the Lyric Opera of Chicago; Verdi’s Falstaff at the Canadian Opera (for which he won a DORA Award) and the Salzburg Festival; as a “peerless” Iago Otello with Sir Colin Davis and the LSO (LSO Live) Royal Opera in Japan, and Bavarian State Opera, and Canadian opera; and in the title role in Rossini’s Guillaume Tell with Accademia di Santa Cecilia and Sir Antonio Pappano (EMI) and at the Royal Opera Covent Garden. His other important roles include Scarpia, Golaud, Eugene Onegin and Nick Shadow. In contemporary opera, Finley has excelled in creating leading roles, most notably J. Robert Oppenheimer in John Adams’ Doctor Atomic (New York Met, ENO London, San Francisco, Chicago and Amsterdam); Harry Heegan in Turnage’s The Silver Tassie at ENO; Howard K. Stern in Turnage’s Anna Nicole at Covent Garden; Jaufré Rudel in Kaija Saariaho’s L’amour de loin; and Mr Fox in Tobias Picker’s Fantastic Mr Fox at L.A. Opera. In 2012, the DVD release of Doctor Atomic in which Gerald Finley appeared as J. Robert Oppenheimer was awarded the Grammy for ‘Best Opera Recording’.

Finley’s concert work is a vital part of his flourishing career with recent appearances with the London Symphony Orchestra, the Vienna Philharmonic the London Philharmonic, Royal Concertgebouw Orchestra Amsterdam, the Bavarian Radio Symphony Orchestra, the Mahler Chamber, the Los Angeles Philharmonic Orchestra. He was the star of the 2018 Last Night of the Proms and a rediscovered version of Shostakovich’s “English Poets” along with that composer’s orchestral cycle, Michelangelo Sonnets, was recorded by Finley and the Helsinki Philharmonic on the Ondine label and received international critical acclaim. Modern day composers have written extensively for him and include Peter Lieberson (Songs of Love and Sorrow with the Boston Symphony and recorded by Ondine with the Helsinki Radio Orchestra), Mark Anthony Turnage (When I woke with the LPO and Vladimir Jurowski), Huw Watkins, Julian Philips, Kaija Saariaho (True Fire with the L.A. Philharmonic and Gustavo Dudamel), and Einojuhani Rautavaara (Rubáiyát with the Helsinki Philharmonic).

As a celebrated song recitalist, he works regularly with pianist Julius Drake. Their many appearances throughout the world include the Schubertiade, a residency at the Wigmore Hall, New York’s Carnegie-Zankel Hall and lauded appearances at the festivals of Salzburg, Edinburgh, and Tanglewood. He has also performed with Sir Antonio Pappano, Malcolm Martineau, Simon Lepper and Michael McMahon. Finley’s many solo recital CD releases have been devoted to complete songs of Barber, Britten, Duparc, Ives, Liszt, Ravel and Schumann song cycles Dichterliebe and Liederkreis Op. 24 & 39. With a continuing partnership with Julius Drake on the Hyperion label, all have been critically acclaimed, including an unprecedented three Gramophone Awards in the Solo Vocal category. Their release of Schubert Winterreise won a Canadian Juno Award in 2015 and last season saw the completion of their Hyperion Schubert trilogy with the release of Die schöne Müllerin.

As part of his dedication to preserving and enhancing the singing tradition, he gives masterclasses throughout the world most recently at the Juilliard School of Music, and continues to work with the Jette Parker Young Artists’ Program at the Royal Opera, Covent Garden, the National Opera Studio, and the Lindemann Program at the Met. Finley was born in Montreal, began singing as a chorister in Ottawa, Canada, and completed his musical studies in the UK at the Royal College of Music, King’s College, Cambridge, and the National Opera Studio. He is a Fellow and Visiting Professor at the Royal College of Music. In 2014 he climbed Kilimanjaro for the charity Help Musicians UK. In 2017 he was appointed Commander of the Order of the British Empire and had previously been appointed an Officer of the Order of Canada. Mr Finley also features on a Canadian stamp celebrating Canadians in opera.

CONCERT PROGRAM

An die Musik (To Music) – Franz Schubert (Franz von Schober)

Selections from Songs of Travel – Ralph Vaughan Williams (Robert Louis Stevenson)

The Roadside Fire; Whither must I wander; Bright is the Ring of Words

Intimacy No. 7 “Lilacs” – Brian Finley

Ein Selbstgespräch (Soliloquy) – Ludwig van Beethoven

Selections from Dichterliebe (A Poet’s Love) Op. 48 – Robert Schumann (Heinrich Heine)

Im wunderschönen Monat Mai (In the wonderful month of May); Wenn ich in deinen Augen seh‘ (When I look into your eyes); Die Rose, die Lilie, die Taube, die Sonne (The rose, the lily, the dove, the sun); Aus meinen Thränen spriessen (From my tears spring up); Ich will meine Seele tauchen (I want to immerse my soul); Ich grolle nicht (I do not begrudge)

INTERMISSION

Lord God of Abraham (Elijah) – Felix Mendelssohn

“Pietà, rispetto, onore” (Mercy, respect and honour) (Macbeth) – Giuseppe Verdi (Francesco Maria Piave, based on Shakespeare)

Intermezzo from Cavallera Rusticana – Pietro Mascagni, arr. Brian Finley

“Die Frist ist um” (The time has come) (The Flying Dutchman) – Richard Wagner

My Love is Like a Red, Red Rose – Robert Burns, arr. Brian Finley

“Some enchanted evening” (South Pacific) – Richard Rogers (Oscar Hammerstein II)

“Edelweiss” (The Sound of Music) – Richard Rogers (Oscar Hammerstein II)

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